Chang Chao-Tang's Social Memory Series documents the changes of streets, fields, country and cities in Taiwan. The artist adopted a sarcastic and humorous visual language to represent scenes of the era for showing defiance of thought control implemented at that unique period of Taiwan's history.

Shen Chao-Liang documented Taiwanese dancing troupes performing on vehicles in his innovative documentary photography series, Stage. His capturing of the distinctive local culture, the mobile stages, brings forward a unique cultural scene that is both vibrant and dreaming.

In his Industrial Injury Series and Shadowed Life Series, Ho Ching-Tai created portraits of marginalised communities and nobodies to highlight the suppression faced by people of lower social classes. Not only does he use his images to voice for disadvantaged communities and advocate for justice, he also dignifies the life of ordinary people through his photography.

Wang Yu-Pang initiated the Kucapungane Documentary Photography Series in 1991, where he has spent 27 years working on this Rukai photography project, trying to outrun the passing of time. Through close-ups and writings, Wang aimed to celebrate the uniqueness of Taiwanese Indigenous cultures and faithfully document the scenes in the Kucapungan village in Wutai, Pintung.

Hung Cheng-Jen's Melancholy Field Series is set in Hongmaogang Village in Xiaogang, Kaohsiung, where Hung used poses and handmade outfits to highlight his distinctive perspective of presence. Through collages of these paradoxical elements, he wants to call for social condemnation of absurd body, touching on multiple issues like the power of a nation, folk beliefs, changes of cultural scenes, and forced migration of the fishing village.

Going through different buildings and exhibiting traces of everyday life in motion and at rest, covered arcades are passages for both residents and passengers. Serving
as walkways and living spaces, covered arcades accommodate and accumulate people's feelings like windows embedded in old towns, where the scenes remained are displayed day after day and the feel of "home" is conjured up in partings and reunions.